📅 Published on: 2024-12-12 22:19:03
⏱ Duration: 00:04:04 (244 seconds)
👀 Views: 1287 | 👍 Likes: 24
📝 Video Description:
23-24 시즌에서 10승 18패로 시작한 유타 재즈가 이후 12승 2패라는 놀라운 반등을 보여준 경기들을 바탕으로 분석한 내용입니다.
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안녕하세요, 채널 운영자입니다!
앞으로는 “KBL 더 재밌게 보기”가 아닌 “농구 더 재밌게 보기”로 여러분을 찾아뵙겠습니다.
KBL의 저작권 문제로 인해 영상을 원활하게 업로드하는 데 어려움이 생겨, 채널명을 변경하고 콘텐츠 방향도 일부 조정하게 되었습니다.
앞으로 자료 화면을 활용한 분석 영상은 KBL이 아닌 다른 리그를 중심으로 제작할 예정입니다.
KBL 콘텐츠에 집중하며 KBL 팬들에게 더욱 재미있는 농구를 제공하고 싶었지만, 현실적으로 어려워진 점이 저도 정말 아쉽습니다.
다만, 정말 뛰어난(혹은 분석을 나누고싶은) KBL 장면이 있다면 저작권 문제가 비교적 적은 쇼츠 형태로 여러분께 선보일 수 있도록 노력하겠습니다. 항상 감사드립니다.
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브금: https://www.youtube.com/@UClaR0_fUBjhwnNpsV6sm2_w
#nba #basketball #analysis #strategy #농구 #느바 #전술 #전략
🎙 Channel: Basketball is Entertaining
🌍 Channel Country: South Korea
📂 Tags:
basketball,nba,농구,윌하디,Jazz,Utah,strategy,corner stagger action,series
🕵️♂️ Transcript:
After the departure of Donovan Mitchell and Rudy Gobert, marking the end of the Quin Snyder era, the Utah Jazz entered a full-scale rebuild by appointing Will Hardy as their new head coach for the 22-23 season. While this is Hardy’s first head coaching role in the NBA and there’s still room for growth, one particularly impressive aspect of his system is the diverse and creative offensive approaches within a single pattern series. In this video, I’ll be highlighting a few examples from Will Hardy’s Utah Jazz corner stagger series. A corner stagger action designed for Jordan Clarkson. Typically, in a stagger action, both screens are used by the player in the corner to come up to the top of the key for a three-point shot or to initiate a two-man game with the player who set the second screen. However, to counter the defense anticipating this movement, they showcased a variation where Clarkson curls after using only the first screen. Powell, however, reads this play and denies the pass. In the end, Kessler correctly reads the court and signals for an alley-oop for a bucket, but the offense didn’t unfold exactly as Coach Hardy had planned. On the very next possession, the Utah Jazz set up the same stagger action on the opposite side. Keyonte George passes to Olynyk and moves as if he’s about to set the stagger screens but fakes setting the screen and cuts into the paint instead. Dante Exum, anticipating Ochai Agbaji in the corner to come off the stagger screens, positions himself to deny the pass. However, George cuts, and Exum is caught off guard. Powell, focused on stopping George’s cut, leaves Kessler open in the corner. While it was a correct decision by Dallas to leave Kessler open, as he’s far from being a reliable three-point shooter, this sequence showcased Will Hardy’s creative offensive approach, utilizing misdirection through a stagger action variation. Once again, a stagger action setup. Clarkson fakes going up as if using both screens but instead curls after only the first screen, and Dallas easily counters with switch defense. However, the real action begins now. Exum and Lively expect Kris Dunn to come off Collins’ screen to receive the ball. This would be the quote unquote “normal movement” you’d anticipate in a standard stagger action. But Will Hardy’s basketball mind is anything but normal he thinks differently from what the players predict. Instead of using the screen, Dunn becomes the screener himself and sets up an alley-oop for Collins. It’s a masterstroke of creativity from Will Hardy that leaves basketball fans in awe. Will Hardy’s corner stagger variations can create even more diverse offensive options beyond these plays. Markkanen makes a curls after using the first screen, but the passing lane isn’t there. So, he naturally moves to the opposite side of where the stagger action occurred, calls for a flare screen, and successfully drains a three-pointer. Upon closer review, you can also see Kessler simultaneously setting a flare screen for Clarkson. This highlights Will Hardy’s offensive system, capable of creating multiple attack routes simultaneously. On the left side of the court, a stagger action unfolds. However, Toronto counters with effective switch defense, successfully shutting down Utah’s initial offensive attempt. Unfazed, Utah executes the same stagger action on the opposite side. Markkanen comes off the stagger screens again, looking to receive the pass, but the pass is denied once more. To support his teammates, he sets a screen as if to assist the play, but it’s actually a decoy. Markkanen quickly cuts into the paint after the screen, creating an easy scoring opportunity for himself. The true beauty of basketball lies in how a single simple action can lead to such a variety of plays. It’s fascinating to see how players read reactions and tendencies in a split second, counter them, and even prepare counters to those counters, engaging in a chess-like battle of wits several steps ahead. Understanding these details transforms basketball from being just a game of scoring into something that makes you think, “This is why basketball is an art.”
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